Hood remains modest about his accomplishments. During a break at a concert in Beverly Hills, Hammond, as clandestinely as possible, slid Christian onto the stage and into the band.
James Jamerson (* 29. James Lee Jamerson (January 29, 1936 – August 2, 1983) was an American bass player.He was the uncredited bassist on most of the Motown Records hits in the 1960s and early 1970s (Motown did not list session musician credits on their releases until 1971), and is now regarded as one of the most influential bass players in modern music history. In any event these recordings are a tribute Jamerson's style. Hier sehen Sie Drummer wie John Bonham, Keith Moon, Charlie Watts und Stewart Copeland.Was den emotionalen Sound von „The Last of Us Part II“ ausmacht und warum er unverzichtbar für die charakterstarke Story ist, gibt es hier zusammengefasst im Überblick.Die 100 größten Gitarristen aller Zeiten. „James ging einen Schritt über das hinaus, was Bassisten normalerweise tun“, erklärte Bob Babbitt, der auch auf mehreren Songs auf dem „What’s Going On“-Album Bass spielte. Nobody was truly capturing that one remarkable calling card of the 1980s: cheesy, perky pop.Several gangster rappers name Schoolly D as an important inspiration, including Ice T, Public Enemy and N.W.A. “He wanted it like a redistribution of wealth … I was into that. That’s why I recommend all of my students study his bass lines because they are absolutely essential study for anyone in the beginner to intermediate phases of learning. This is from the 1966 album by The Temptations called ‘Get Ready’. Insbesondere war er einer der wichtigsten Studiomusiker des Detroiter Soul-Plattenlabels Motown Records. ARTCO-Berlin/ullstein bild/Getty ImagesChristie Goodwin/Redferns/Getty ImagesTim Mosenfelder/ImageDirect/Getty ImagesMany musicians came and went from Yes over the decades, but the only constant (at least until his death in 2015) was bassist Chris Squire. James Jamerson has been listed as a level-5 vital article in People, Musicians. But as co-songwriter, producer, and bassist on Chic tracks like “Le Freak,” “I Want Your Love,” and “Everybody Dance,” alongside hits by Sister Sledge (“We Are Family”), Diana Ross (“I’m Coming Out”), and Madonna (“Like a Virgin,” “Material Girl”), Edwards turned instantly head-nodding riffs into dance and pop classics. When the record label was based in Detroit in the 1960s he was the man behind the bass lines of hundreds if not thousands of records.This next riff is also by The Temptations and is the title track from the Album ‘Get Ready’ … it’s also one of my all time favourite bass riffs ever!If you’re not already familiar with the name ‘James Jamerson’... you’re in for a treat!
Black Sabbath’s immediate commercial success was made more impressive because, in true ahead-of-its-time fashion, the band’s early work received negative reviews from many music critics. August 1983 in Los Angeles) war ein US-amerikanischer Bassist. First working at Fame Studio in Muscle Shoals, Alabama, before becoming part of the town’s legendary rhythm section at their own Muscle Shoals Sound in 1969, Hood was nicknamed “Little David” for his size; you can hear Mavis Staples call him that on “I’ll Take You There” during his supple solo. There are only 3 notes in the riff but the rhythm is trickier. Edwards built upon his devout study of jazz and classical to become disco’s most influential bassist, turning any minute into Friday night with his bandmate and longtime friend Nile Rodgers and soundtracking thousands of dance floors in the late Seventies and beyond. Had he recorded “Good Times” alone — one of the most sampled bass lines in history and the inspiration for hip-hop’s first mainstream hit “Rapper’s Delight” — he would’ve made this list. Here is a … In fact, the album did so well that its follow-up, Paranoid, was delayed because its predecessor was still selling.A less likely fanner of the fledgling hip-hop flame was a white girl named Debbie Harry, lead singer of punk-turned-new wave band Blondie. Greaves’ “Take a Letter, Maria” — had one thing in common: bass player David Hood. Interestingly, Harry actually had a connection to Rapper’s Delight: in 1978, Blondie was performing with the funk group Chic in New York when several members of Sugarhill Gang began freestyling over Chic’s “Good Times,” whose bass became the hit rap song’s beat.Among the trio of singles from Schoolly D’s self-titled 1985 debut album was “P.S.K.
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