Like I always tell my kids, “The Beatles could shit out a good song. He fit in tremendously like a fine wine with his style of guitar playing whether it was lead or rhythm. I take the do-do-do, da-da-da of Paul anyday.While we’re at it, Lennon didn’t always “whine” about wanting to return to the basics of R&R. Surely they could have thrown another song from the MMT EP on the B-Side.Anyone think this song is better than “I am the Walrus” now? I would always learn the latest Beatles single and whistle it loudly as I pushed the paper through the letter-box. but it is not a great song for the ages. Thank you for sharing it. “Hello goodbye” is the nadir of the Beatles singles, it’s almost embarassing!
After all, many of the great classical composers were commissioned to write pieces for the royal courts of Europe, and ordinary people of the day thronged to hear live performances of their works.I am the Walrus may be the better of the two, but that doesn’t make it deep and meaningful.
George Martin done a fantastic job on Walrus.“”Hello Goodbye” is just so catchy and I have always loved it.
Little surprised they just didn’t release “I Am The Walrus” as another A-Side single. A clever song, full of playground references.
It was not well received by too many people and got much less airplay than Hello Goodbye. Check out “How do you sleep?” off “Imagine”. That was my favorite Beatles song growing up.
The song has a good arrangement, including the vocal arrangement, plus nice work by Starr and Harrison. Obviously, “Walrus” has stood the test of time and “Hello goodbye” hasn’t. It was considered weird and nonsensical.
I think the way to talk about a song is to talk about the song as it is, and not compare it to some other song that it isn’t — and I really like Teddy Boy’s comment about how demoralizing this single’s A and B sides together must have been to their contemporaries.A highly catchy and commercial tune, if a bit lightweightWhat I don’t understand is why the single wasn’t a double A side with Walrus, they did that with WCWIO/Day Tripper and YS/ER, so the precedent was there, YS/ER being the perfect example of the singalong on one side and the “deeper” song on the otherThe Beatles Bible is run for the love of anything and everything to do with The Beatles. They both have their faults. John always claimed that this ending, made up in the studio on the spot, was the only part of the song he liked.
Hello the Sixties. In the early days, all the enduring hits were John’s with Paul throwing in two or three songs. Not the “Hela…” stuff, but Paul’s woos and n-cha, n-cha’s.
The song had its genesis at ‘Black,’ he started.
The song was released as a single in November 1967, and topped the charts in the United States, the United Kingdom, France and Norway. My hope was that Paul was there and would feel good that the paper boy had picked up the melody a day after the first radio plays. a pretty face may last a year or two!Walrus wasn’t even that popular in 67.
Walrus was an embarrassment.This is my favorite song i love the instrumentation and thelyrics a simple song??? There’s not a lot of popular music that expresses such emotional energy–not bashing and thrashing, but EMOTIONAL energy.
"The fake, dead-stop ending and sudden, surprising restart -- a first for a Beatles single -- was referred to by the band as the "Maori Finale," due to the tribal nature of the coda. ‘Hello, Goodbye’ – The Beatles’ final single of 1967, their Lennon later dismissed ‘Hello, Goodbye’ as “three minutes of contradictions and meaningless juxtapositions”. PTxSNot to bad of a song just a subtle reminder of how different Paul and Johnson were , day and night, hello goodbyeIt was George who answered a question about how they wrote songs, something like ‘we just try to make every song different from the last’. It’s too weird and they needed commercial songs to make money and stay alive. This category only includes cookies that ensures basic functionalities and security features of the website. Paul did not engage with such negativity. HG is bubblegum pop, could have been the Turtles or the Bee gees as far as I’m concerned.
(Ascending scale on lead guitar).Like most everything McCartney, lines like “You say why/I say I don’t know” work anyway.
They were/are very talented.
Forty-plus years later, it’s become another single with the better song on the B-side.
Such dated attitudes belong back in the 1970s.This song is an absolute throwaway, one of the few by Paul.It’s hilarious that John would say about this song : “three minutes of contradictions and meaningless juxtapositions”, while advocating his song of meaningless, chanted phrases and disjointed words.Once again, I’ve thoroughly enjoyed your comments and debate about “Hello Goodbye” as the song of the day.Wow. I’m sure Paul could be a real pain at times and was arrogant in his own way but if you look at the big picture it seems to me that it was Paul that kept things together. Like John Lennon I love the ending. one of their best sellers worldwide. or appreciated by many generations to come. . I must have been either 4 or 5 years old when I first heard it on my brothers record player.
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hello, goodbye beatles