I hope you will be inspired to share Eugenia Zukerman’s story with your audience.Eugenia Zukerman is a true Renaissance woman. While maintaining an international concert calendar with more than thirty performances annually, her multi-faceted career also includes distinguished work as an arts administrator, author, educator, internet entrepreneur, and journalist. Hailed by the Boston Globe as “an international triple threat...a published novelist, a television commentator and, most impressively, one of the finest flutists of our time,” Eugenia Zukerman worked hard and juggled it all—performing, writing, interviewing artists, directing concert series—with ease and grace. Eugenia Zukerman has been a special correspondent for CBS News Sunday Morning since December 1981, covering classical music, dance and the arts for the critically acclaimed broadcast. She was the artistic director of the Bravo! Website for Eugenia Zukerman. Last summer, the relationship continued to flourish with her performance of Mozart's concerto for Flute and Harp (with Yolanda Kondonassis) in the opening concert of the Vail Valley Music Festival, conducted by Music Director Jaap van Zweden.Published to coincide with Alzheimer’s Awareness Month, Like Falling Through a Cloud is a moving, courageous, lovely, and positive work.
In 'Like Falling Through A Cloud,' Eugenia Zukerman Explores Her Changing Mind. The 2010-2011 academic program spanned the disciplines of creative writing, music, education and health sciences. She is the author of two novels, two works of nonfiction, and numerous screenplays, articles, and book reviews. About Eugenia: Eugenia Zukerman graduated from the Juilliard School of Music. Her first trip to the area was many years back when she traveled to Tanglewood to play a concert.
While these medicines may be necessary to treat serious illnesses, they may also have unpleasant, and even devastating, side effects, including changes in mood, weight, and physical strength, and vulnerability to infection. Vail Valley Music Festival. During her tenure, the festival in Vail developed an international profile through the annual residencies of the New York Philharmonic, the Philadelphia Orchestra, and the Dallas Symphony. Amazon. 602 likes. What’s more, she recognizes how her story of going from terror and turbulence to giving thanks for another day and playing on might offer comfort to the millions of people grappling with dementia and Alzheimer’s disease.Outraged and terrified, Zukerman vowed to do her best to handle her diagnosis “privately and purposefully.” She began to chronicle her unraveling, mostly in verse. She has also been the invited guest on NBC's Today Show, CBS's Morning Show, the Charlie Rose Show and appeared in numerous specials on PBS. Not only was Eugenia Zukerman a Young Concert Artists Award-winning flutist, but in addition, she received their Lifetime Honor Award in 2006. In 2009, she also received Concert Artists Guild Virtuoso Award for Dedication to the Arts - one of a handful of artists to be so honored by both organizations. She is also an author of novels and nonfiction books.
“I did seek help,” as she shares, “but what seems to have saved me from crumbling and falling apart was music, love, poetry, and, oddly, laughter.”________________________________________________________________Recognized with an Emmy nomination as an important broadcast journalist, Eugenia Zukerman interviewed and created more than three hundred portraits as an Arts Correspondent for CBS Sunday Morning. Her interview subjects included James Levine, Seiji Ozawa, Leontyne Price, Marilyn Horne, Helen Frankenthaler, Al Hirshfeld, Julie Taymor, Dame Maggie Smith, David Hyde Pierce, Mikhail Barishnikov, Savion Glover, Peter Martins, Daniel Barenboim and Isaac Stern. She also studied with Albert Tipton at the Aspen Music Festival and continued her studies under the renowned flutist Julius Baker. Home; Press Release; Acclaim; Recordings; Calendar; Media; Links; Press Kit; Contacts; Media Center. Eugenia opens up about her childhood and therapy sessions; her fear of exposure, vulnerability, and public failure; her initial resistance (“I don’t want to have an evaluation about my devaluation.”) and creative coping strategies (“Instead of beating myself up when I can’t find a word, I’ll let it slowly emerge like the call of a distant bird.”) Gradually, Eugenia comes to accept the reality of living her life with a debilitating condition.
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