The lower walls are painted to resemble marble paneling, forming a dado, and the walls are filled with standing figures of saints. Chora Museum consists of 5 main parts the annexes, the parakklesion, the inner & outer narthexes and the naos inner & outer narthexes house most of the mosaic works that tell the life story of Mary the miracles of Christ the parakklesion is decorated with astonishing frescos with the scenes from the Judgment Day & Resurrection. The interior has beautiful mosaics and due to the prohibition against iconic images in Islam, some mosaics and frescoes have been covered behind a layer of plaster. Not that I’m for it, but it’s hard to see how admitting Turkey into the EU would make it any worseI take your point, Infidel–even without taking Turkey into account. To either side are scenes in which Christ raises a man and a woman from the dead. In part, the mannered artistic style came as a response to the architectural framework. Not a good prospect!Could the Hagia Sophia be next? Unless of course one would consider anything better than the “evils” of “deism” or atheism. I suppose it is meant to shock, and pique interest in the museum show on Carthage.moloch/pachamama are pagan godsWhen the State Council’s men go in the church will they find a New Testament?
The story is based on the Protoevangelium (or Apocryphal Gospel of Saint James), which was widely accepted during the Middle Ages. The surviving scenes include the Old Testament ancestors of Christ and Old Testament prefigurations of the Virgin foretelling the virgin birth – as well as cycles of the lives of Christ and of the Virgin, and the Last Judgment. Minor details also encourage more complex readings: for example, David of Thessaloniki, a dendrite (that is, a hermit who sat in a tree) shown at the entrance to the parekklesion, is positioned equidistant between Christ Calling Zaccheus (who had climbed a tree in order to see Christ as he passed through Jericho) and Moses before the Burning Bush. Then It could be re-consecrated and used again after taking it back from the Muslims.The secular state created by Ataturk is being eroded year by year. The Nativity of Christ is set to parallel the Birth of the Virgin in the inner narthex. The Church of the Holy Saviour in Chora (Greek: Ἐκκλησία τοῦ Ἁγίου Σωτῆρος ἐν τῇ Χώρᾳ; Turkish: Kariye Müzesi, Kariye Camii, Kariye Kilisesi) is a medieval Byzantine Greek Orthodox church preserved as the Chora Museum in the Edirnekapı neighborhood of Istanbul. Here is a picture:It was built by the ancient Romans, in the pre-Christian – let alone pre-Catholic – era. In each, we witness an encounter with the divine – Old Testament, New Testament, Byzantine. Yes, I agree with you that if the artwork is just covered over in a way that it could be restored later, saving the entire structure would be best. The stories of the Journey of the Magi, the Flight into Egypt, and the Massacre of the Innocents are then represented in multiple scenes.
Where it says in Saint Luke Chapter Two Verses 13-14: ” … with the angel a multitude of the heavenly host praising God and saying, “Glory to God in the highest, and on earth peace, goodwill towards men. The fourteenthcentury artists responsible for the decoration of Theodore Metochites ‘ church began with the mosaics of the naos, then continued with the mosaic narrative programs and icons in the narthices, and concluded with the frescoes of the parekklesion. At the same time, the artists were experimenting with compositions and figures. The mosaic we are examining is located in the outer narthex of the church. The original church dates back to the 11th century and was renovated in the 14th century with the addition of magnificent mosaics and frescoes. In a like manner, the flowing red robe of Eve in the Anastasis mimics the form of the fiery stream of hell in the Last Judgment, subtly calling to mind simultaneously the fall of man and his ultimate salvation – and adding nuance to the gender symmetry of the program.Metochites explained the main purpose of the decoration of the church as relating “in mosaics and painting, how the Lord Himself… became a mortal man on our behalf.” Accordingly, the elaborate program focuses on interconnected themes of incarnation and Salvation.
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chora church mosaics